opera Archives - 'ear 'ear! by Gaynor Young

Coincidences???

Gaynor Young — Fri, 06 Mar 2015 03:10:47 +0000

‘My’ opera, “Lost in a Bluebell Wood” will cost money. We need to raise a million rand to get it into production. But, we are making headway!
In early December we drove to Prince Albert to see Nicky Rebelo in his one man show The Kreutzer Sonata. I was looking out the window, daydreaming. Suddenly my dreams were halted by this red and blue sign on the fence of Oudtshoorn bowls club. It seemed to jump out at me. WARWICK WEALTH it said in it’s bold lettering that couldn’t help but catch my eye. Warwick Wealth, I wondered, before my attention was caught up by the scenery on that wonderful drive over the Swartberg Pass.
About two weeks later I was at my friend’s golf club when I saw the name Warwick Wealth again, this time on a beautiful clock. Making enquiries I discovered that Warwick Wealth was actually a financial institution.
“Warwick” Wealth is a local and international company known as ‘The Investment Specialists’.
For reasons I can’t explain I felt I must contact Warwick Wealth and see if they would be interested in advertising on my blog. I sent off a letter to the CEO, Ian Kilbride, and got no response. Not being one to be put off at the first hurdle, I sent off a further letter. This time I decided to concentrate on the sponsorship money required to produce Lost in a Bluebell Wood.
Much to my delight, I got a response! “When you are next in Cape Town, please contact my secretary and make arrangements to see me.” Little did the poor man appreciate that he was going to see me sooner than he thought. At that very moment, I was visiting my sister in Cape Town! By the end of the day the appointment was made for two days hence. Now all I had to do was to find out whereabouts in Cape Town Warwick Wealth were based.
Incredibly I discovered that they were only two minutes drive from where Liz lived in Constantia. Fortunately my best friend and blog publisher, B, was also in Cape Town and was able to come with me for moral support. We found the offices in the glorious grounds of the Alphen Hotel. Nervously we sat in reception, refusing the kind offer of tea and coffee. After about twenty minutes I heard my name being called. Seeing this man striding towards me, I stood up, willing my spastic arm to behave itself for the handshake I knew was about to follow.
“Good morning, I’m Ian Kilbride”, he said extending his hand for the inevitable shake. My hand behaved, thank the Pope and I introduced B. Ian Kilbride is a good looking man, tanned, blonde haired with gorgeous smiling eyes. I felt the tense knot in my stomach relax as I began to breathe easier. Sitting in his office I said: “Before we start, may I just point out that both B and I are deaf. This is just in case we mis-hear at any point.”
“Don’t worry. I am well versed in deafness. My father has a problem with his hearing. He had his first Cochlear Implant in Southampton in England and his second at Tygerberg Hospital just eighteen months ago. He has the same audiologist as you, Jenny Perold.”
I looked at him stunned. “Glory be, then you…you know about deafness. You do truly know!”
He laughed gently. “Yes, I do ‘truly know!’ Now, tell me why you are here.”
B handles the monetary side of ‘ear ‘ear, so I decided to let her take the lead on financial matters, I could always chip in.
“Okay, so you are looking for money for the opera and for blog advertising. How much money do you need for the opera?” he asked
“Just over a million rands.” said B calmly
I had expected Ian to be flabbergasted at this amount but he didn’t even draw a breath. He wrote on a pad in front of him. “And how much would advertising on your blog cost me a month?”
I told him and once again he wrote on his pad. Then he looked up and said: “I would like to have an advertisement on your blog for the foreseeable future. As far as your opera is concerned, Warwick Wealth will sponsor the project to the tune of R200,000 providing you and your team raise the other eight hundred thousand required. I want a viable project.”
I wanted to fling my arms around this incredibly generous man and give him the biggest hug. But I behaved in a properly dignified manner, spluttered out a thank you and grinned inanely.
And so, we have raised about one fifth of my opera-mega sum.
Thinking back on the raising of that first R200 000, I am just so aware of God’s work throughout. I don’t believe in coincidence. There was too much that just fit so perfectly. Bits of a puzzle that when put together formed the most amazing picture. The fact that I was in Cape Town when I got the reply; the location of Ian Kilbride’s business; his father’s Cochlear Implants; the connection Ian and I seemed to have; his Spirit Foundation which assists bright but disadvantaged children through high school which resonates within me. Maybe this can be the subject of a future blog……..
When I was a child and had failed miserably at something, I used to get so irritated at my Mother’s: “If at first you don’t succeed, try, try and try again!” I didn’t succeed in getting a response to my first letter. I want to put back my head and shout to the sky with delight that I did try again.
With a wonderful mind-blowing result!

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Music of the Gods!

Gaynor Young — Fri, 19 Sep 2014 04:16:52 +0000

I am going to speak about something that is incredibly precious to me. Music! What makes this so exciting is that the music involved is an opera. An opera about my Mother and me!
Let me tell you how it all came about.
Rexleigh Bunyard is a musician-composer and music teacher. Out of blue, I received a e-mail from her in which she expressed the idea of wanting to write an opera about Mum and me. I read that sentence again. Yes, I had read it correctly. She wanted to write an opera about Mum and me! Why did she want to write an opera about….oh, of course, my accident! I spoke to Mum about this e-mail. She was not happy with this idea at all. Making enjoyable entertainment out of a heart shattering piece of life was lunacy, as far as she was concerned, definitely not on! But, she was willing to meet Rexleigh and hear what she had to say. While staying with my sister in Cape Town, Rexleigh came to see us.
On meeting Rexleigh, Mum’s antipathy to her fell away. Here was a woman who was open to our feelings and needs. If we had said that we were not happy with the whole concept, Rexleigh would have cancelled it instantly. We listened intently to Rexleigh’s idea.
In December 1989, Rexleigh had been greeted with the news of my fall when she opened the morning newspaper. Like the rest of South Africa she had followed my progress closely. She had always felt a close affinity for the life of Helen Keller and her amazing teacher, Anne Sullivan. She drew a parallel to the lives of Mum and me. “Both you and Helen Keller suffered extreme losses and emerged with the help of your mentors, as highly enriched human beings with extraordinary perspectives which you have shared with humanity, to our gain. I have the utmost admiration for people who have survived and triumphed over crippling events in their lives. My opera will be a tribute to your efforts and a testimony of your great spirit.”
Rexleigh told us that she would like to have the singers signing in the the production. “Although the signing would be a dramatic enhancement to the text and music, rather than an interpretive device for a deaf audience to be able to follow the whole story of the opera.”
Well, okay, but it would be pretty amazing just the same, I thought. How could one possibly put a stop to such an undertaking!
And so, Rexleigh began composing her opera Lost in a Bluebell Wood. She explained: “I chose opera as my medium because it has all the serious dramatic and musical ingredients to put across such a powerful tale. And, why Lost in a Bluebell Wood you may ask? “Well”, says Rexleigh “that is a long story, but it involves the paradox of loss and beauty.”
The arts journalist, Johan Myburg, asked why she decided on the Greek myth of Persephone and Demeter as a subtext for the opera?
“The profile of Gaynor Young’s story fits the symbolic profile of the Greek myth of Demeter, Goddess of the Harvest (mother) and Persephone (daughter). Persephone was captured by Hades (the Lord of the Underworld) and taken to his realm. Her mother, Demeter searched for her daughter over all the Earth. Upon discovering that she had been kidnapped, Demeter pleaded for her release. This was only partially granted, because the condition of her release was that she should not have eaten anything during her stay in Hades. As she was leaving, myth has it that Hades gave Persephone a pomegranate seed. She ate it and was thus thereafter allowed to live half the year in the world with her mother and half of the year in the Underworld, with Hades.”
This myth is a symbolic story about a seed falling into the ground and growing. Spring and Summer are the seasons of growth, and Autumn and Winter are the seasons of withdrawal when the seed lies in the ground, waiting for the next Spring.
Gaynor fell into the bowels of the earth, literally but also symbolical. She went on a very difficult life journey with extreme injuries as a result of her accident, from which she has emerged as a motivational speaker and inspirational writer. She says that her Mother raised her twice. The journey she took was as much a spiritual one as a physical one. She has been symbolically “reborn” like a seed which “dies” and then grows into a plant as part of its life cycle, to bear fruit and then cast its own seeds into the ground.”
I love the way Rexleigh has kept me updated on her work since she began. This was one of the first pieces she sent me. It is the words for a duet between mother and daughter….

I believe

there’s beauty to be found

in every moment

in silence and in sound

It’s in the air

it’s everywhere

even in our anguish

and our deepest dark,

beyond despair

When we have travelled

near or far

When we’re content to be

just who we are

It doesn’t matter anymore

If we are in the right

or wrong

What matters most is

if we sing the song

of life and laughter

tears and pain

and if we can forgive and let it go,

and love and lose it all,

and learn

to love again,

and love again

My heart sings with the beauty of this!
Rexleigh teaches so could only work on Lost in a Bluebell Wood in her spare time. But, a number of the songs are now complete! Rexleigh is showcasing them in ‘Bouquet’ on October 5th in the Stella Street NG Kerk, Brooklyn, Pretoria at 4pm. As Rexleigh explains:
“Bouquet” is a plant-inspired (flower theme) concert program comprising opera favourites, which will be performed by members of Sempre Opera. The program will also feature excerpts from a new opera about Gaynor Young, called Lost in a Bluebell Wood.
Lost in a Bluebell Wood is a story of great personal courage, loving support and self-acceptance, which has a universal message for all people.The poetic libretto (overlaid with the Greek myth of Persephone and Demeter) and original music of Lost in a Bluebell Wood are totally my work and for this performance I will conduct the chorus, soloists and an instrumental ensemble. The Armonia Chamber Singers will be coached by chorus master, Schalk van der Merwe. A sign language component utilised by soloists and chorus to selective dramatic effect will be choreographed and coached by Avril Cummins, and directed by Karoly Pinter.
Rexleigh is making a video of “my numbers” during this event which she hopes to then use as a marketing tool to get sponsorship and funding for a full operatic production in 2015.
Isn’t this tremendously exciting? Once I have a copy of that days video, I look forward to sharing it with you via my blog. If any of you are in the vicinity on October 5th, please pop in and feast your eyes and ears.
I know that it will be magnificent!

Anyone interested in getting involved with the full 2015 production of Lost in a Bluebell Wood please contact Rexleigh at: bunyard@acenet.co.za

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